The "Uncanny" and the Gaze

A tétel rövid nézete
dc.contributor.advisorSéllei, Nóra
dc.contributor.authorSzalóki, Zsuzsanna
dc.contributor.departmentDE--TEK--Bölcsészettudományi Karhu_HU
dc.date.accessioned2013-02-28T15:42:44Z
dc.date.available2013-02-28T15:42:44Z
dc.date.created2010-03-30
dc.date.issued2013-02-28T15:42:44Z
dc.description.abstractIn this paper, relying on Freud’s concept of the “uncanny” and Lacan’s theory of the gaze, my aim is to show that in Joseph Conrad’s Heart of Darkness and in Doris Lessing’s The Grass is Singing nature, the physical environment, tangibly presents the contents denied and lying hidden in the core of the human psyche and in the depth of the colonial society.hu_HU
dc.description.courseanglisztikahu_HU
dc.description.degreeBschu_HU
dc.format.extent21hu_HU
dc.identifier.urihttp://hdl.handle.net/2437/160679
dc.language.isoenhu_HU
dc.rights.accessiphu_HU
dc.subjectuncannyhu_HU
dc.subjectgazehu_HU
dc.subjectnaturehu_HU
dc.subject.dspaceDEENK Témalista::Irodalomtudományhu_HU
dc.titleThe "Uncanny" and the Gazehu_HU
dc.title.subtitleNature as the Embodiment of Repressed Contents in Conrad's Heart of Darkness and in Lessing's the Grass Is Singinghu_HU
dc.typediplomamunka
Fájlok
Gyűjtemények
Theses (Institute of English and American Studies)