History and Fiction, Love and Authority

dc.contributor.advisorCsató, Péter
dc.contributor.authorBoros, Mariann
dc.contributor.departmentDE--TEK--Bölcsészettudományi Karhu_HU
dc.date.accessioned2013-06-24T10:23:07Z
dc.date.available2013-06-24T10:23:07Z
dc.date.created2008-04-15
dc.date.issued2013-06-24T10:23:07Z
dc.description.abstractAuthority is one of the strongest elements connecting the concepts and themes mentioned so far: history, truth, fiction, identity, love, possession, sexuality, desire, obsession. All these themes are built up of narratives, of stories. Of narratives that play around with the notion of authority as much as they play around with American culture and society of which they are born from. Through Roth’s novels it is possible to reconsider the automatic perspectives on life, to discover all the contingency there is to it. This paper attempts to show how two of his novels, The Human Stain and The Dying Animal achieve this, what tools and methods they operate with, and how all these different themes come together in the end to aid a global apprehension of contingency in culture, where authority is unstable so that it allows for the multiple interpretation of the themes Roth discusses in his work.hu_HU
dc.description.courseangol nyelv és irodalomhu_HU
dc.description.degreeegyetemihu_HU
dc.format.extent38hu_HU
dc.identifier.urihttp://hdl.handle.net/2437/171227
dc.language.isoenhu_HU
dc.rights.accessiphu_HU
dc.subjectAmerican fictionhu_HU
dc.subjectnarrativeshu_HU
dc.subject.dspaceDEENK Témalista::Irodalomtudományhu_HU
dc.titleHistory and Fiction, Love and Authorityhu_HU
dc.title.subtitleTheory and Its Sociological Relevance in Philip Roth's Fictionhu_HU
dc.typediplomamunka
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