Formations of Madness and Femininity in Sylvia Plath's The Bell Jar, Susanna Kaysen's Girl, Interrupted and Janet Frame's Faces in the Water

A tétel rövid nézete
dc.contributor.advisorSéllei, Nóra
dc.contributor.authorSugár, Gabriella
dc.contributor.departmentDE--Bölcsészettudományi Karhu_HU
dc.date.accessioned2015-04-14T08:49:17Z
dc.date.available2015-04-14T08:49:17Z
dc.date.created2015-04-14
dc.description.abstractI have chosen for this study three novels from postwar literature, and all three account the trials and sufferings of three young women who are pronounced as mad, and subsequently incarcerated for a varying period of time, in the end they are deemed ‘cured’ and are released back to normal society. Sylvia Plath’s The Bell Jar (1963), Susanna Kaysens Girl, Interrupted (1993) and Janet Frame’s Faces in the Water (1961) despite their many differences tell a hauntingly similar experience of a young woman in postwar patriarchal culture, driven mad by the limitedness that surrounds her existence: As the slogan ‘Anatomy is destiny!’ announces the set of values that characterise that particular era is once again woman’s relegation to the domestic.hu_HU
dc.description.courseAnglisztika MAhu_HU
dc.description.degreeMSc/MAhu_HU
dc.format.extent47hu_HU
dc.identifier.urihttp://hdl.handle.net/2437/209202
dc.language.isoenhu_HU
dc.subjectmadnesshu_HU
dc.subjectfemininityhu_HU
dc.subjectsylvia plathhu_HU
dc.subjectjanet framehu_HU
dc.subjectsusanna kaysenhu_HU
dc.subject.dspaceDEENK Témalista::Irodalomtudományhu_HU
dc.titleFormations of Madness and Femininity in Sylvia Plath's The Bell Jar, Susanna Kaysen's Girl, Interrupted and Janet Frame's Faces in the Waterhu_HU
dc.typediplomamunka
Fájlok
Gyűjtemények
Theses (Institute of English and American Studies)