Pronouns of Address in Early Modern English, Based on Shakespeare's Much Ado About Nothing

A tétel rövid nézete
dc.contributor.advisorLieli, Pál
dc.contributor.authorVirágos, Fruzsina
dc.contributor.departmentDE--TEK--Bölcsészettudományi Karhu_HU
dc.date.accessioned2013-02-28T15:46:29Z
dc.date.available2013-02-28T15:46:29Z
dc.date.created2010-03-30
dc.date.issued2013-02-28T15:46:29Z
dc.description.abstractIn the succeeding section of my thesis I will make an attempt to describe the relationships between some characters of Much Ado About Nothing from the points mentioned above, concerning the pronouns of address the characters use when addressing each other. I will string these relations in accordance with their complexity, moving from clear-cut connections to the direction of subtler and many-faceted ones. Finally, I will take a brief look at registers and dialects in which this pronominal opposition remained alive. My aim is to prove that the thou/you contrast is not only able to give a full portrayal of the social system in Elizabethan England, but also reflects the speakers’ attitude to their addressees, their motivation in a conversation and their alternating emotional state.hu_HU
dc.description.courseanglisztikahu_HU
dc.description.degreeBschu_HU
dc.format.extent31hu_HU
dc.identifier.urihttp://hdl.handle.net/2437/160687
dc.language.isoenhu_HU
dc.rights.accessiphu_HU
dc.subjectthou/you contrasthu_HU
dc.subjectEarly Modern Englishhu_HU
dc.subject.dspaceDEENK Témalista::Nyelvtudomány::Nyelvészethu_HU
dc.titlePronouns of Address in Early Modern English, Based on Shakespeare's Much Ado About Nothinghu_HU
dc.typediplomamunka
Fájlok
Gyűjtemények
Theses (Institute of English and American Studies)