The Body as a Metaphor for the Scientific, Social, and Political Transformation in Aldous Huxley's Point Counter Point

A tétel rövid nézete
dc.contributor.advisorMoise, Gabriella
dc.contributor.authorDuró, Evelin
dc.contributor.departmentDE--TEK--Bölcsészettudományi Karhu_HU
dc.date.accessioned2013-05-02T13:18:18Z
dc.date.available2013-05-02T13:18:18Z
dc.date.created2013
dc.date.issued2013-05-02T13:18:18Z
dc.description.abstractAldous Huxley’s Point Counter Point can be analysed through several cultural, literary, and scientific theories and methods which appeared during the years of the beginning of the 20th century. His mode of representation of the world around himself depicts manifold scientific theories and hidden social and political connotations of the 1920s through employing the image of the body. He can make a whole presentment of the cycle of life from the beginning until the end of the novel with the help of using the animal and human bodily constructions as a metaphor for the scientific, social and political changes.hu_HU
dc.description.courseAnglisztikahu_HU
dc.description.degreeBSc/BAhu_HU
dc.format.extent22hu_HU
dc.identifier.urihttp://hdl.handle.net/2437/166555
dc.language.isoenhu_HU
dc.rights.accessiphu_HU
dc.subjectbodyhu_HU
dc.subjecttransformationhu_HU
dc.subject.dspaceIrodalomtudományhu_HU
dc.titleThe Body as a Metaphor for the Scientific, Social, and Political Transformation in Aldous Huxley's Point Counter Pointhu_HU
dc.title.translatedA Test mint a Tudomány, Társadalom és Politikai Változások Metaforájahu_HU
dc.typediplomamunka
Fájlok
Gyűjtemények
Theses (Institute of English and American Studies)