“A pastiche … an homage … a nod of the head” - Postmodern citation in quentin tarantino’s pulp fiction and martin Mcdonagh’s in bruges

dc.contributor.advisorGula, Marianna
dc.contributor.authorVixathep, Nikolett
dc.contributor.departmentDE--Bölcsészettudományi Karhu_HU
dc.date.accessioned2015-12-22T10:52:15Z
dc.date.available2015-12-22T10:52:15Z
dc.date.created2015-12-21
dc.description.abstractIn this thesis, I will examine the diverse effects of citation in postmodern cinema through McDonagh’s and Tarantino’s films, focusing on the directors’ sources of reference, their mode of citing the gangster genre and the ethical dimension they channel by the evocation of religious subjects.hu_HU
dc.description.courseAnglisztikahu_HU
dc.description.degreeMSc/MAhu_HU
dc.format.extent42hu_HU
dc.identifier.urihttp://hdl.handle.net/2437/220819
dc.language.isoenhu_HU
dc.rightsNevezd meg! - Ne add el! - Így add tovább! 2.5 Magyarország*
dc.rights.urihttp://creativecommons.org/licenses/by-nc-sa/2.5/hu/*
dc.subjectpostmodernismhu_HU
dc.subjectQuentin Tarantinohu_HU
dc.subjectMartin McDonaghhu_HU
dc.subjectcitationhu_HU
dc.subjectfilmhu_HU
dc.subjectcinemahu_HU
dc.subject.dspaceDEENK Témalista::Kultúratudományhu_HU
dc.title“A pastiche … an homage … a nod of the head” - Postmodern citation in quentin tarantino’s pulp fiction and martin Mcdonagh’s in brugeshu_HU
dc.typediplomamunka
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