Water Imagery in Sylvia Plath's The Bell Jar

dc.contributor.advisorMoise, Gabriella
dc.contributor.authorHorváth, Edit Renáta
dc.contributor.departmentDE--TEK--Bölcsészettudományi Karhu_HU
dc.date.accessioned2013-02-25T15:21:52Z
dc.date.available2013-02-25T15:21:52Z
dc.date.created2010-06-09
dc.date.issued2013-02-25T15:21:52Z
dc.description.abstractThe emergence of water symbolism characterizes the entirety of the novel, it turns up in every important situation and conveys different connotations. The first half of the novel is characterized by the presence of untidy or semi-transparent alternatives of water. The disturbed state of water reflects Esther’s deranged mental condition. At the end, water turns into snow and ice, these become the central symbols of the last phase of the narrative. The various conditions of water mirror Esther’s mental state as well as they connect her to nature and emphasize the ability of nature to revive, which after all conditions her existence as well.hu_HU
dc.description.courseanglisztikahu_HU
dc.description.degreeBschu_HU
dc.format.extent25hu_HU
dc.identifier.urihttp://hdl.handle.net/2437/160438
dc.language.isoenhu_HU
dc.rights.accessiphu_HU
dc.subjectSylvia Plathhu_HU
dc.subjectwater symbolismhu_HU
dc.subjectmother-daughter relationshiphu_HU
dc.subject.dspaceDEENK Témalista::Irodalomtudományhu_HU
dc.titleWater Imagery in Sylvia Plath's The Bell Jarhu_HU
dc.typediplomamunka
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