Black Masculinity and White Femininity in Imamu Amiri Baraka's Dutchman

A tétel rövid nézete
dc.contributor.advisorBíróné Nagy, Katalin
dc.contributor.authorVincze, Marina
dc.contributor.departmentDE--TEK--Bölcsészettudományi Karhu_HU
dc.date.accessioned2013-03-21T10:31:13Z
dc.date.available2013-03-21T10:31:13Z
dc.date.created2010-04-15
dc.date.issued2013-03-21T10:31:13Z
dc.description.abstractIn my thesis I attempt to analyse the characters of the drama’s two protagonists, examining their racial and gender conflicts and at the same time I attempt to scrutinize the psychological components from which they are built– up. First of all, I shall introduce the general background to the era including historical, social, cultural etc. aspects. Then I briefly analyse the relation between the social circumstances mentioned before, in connection with Baraka’s activities at those times. Afterwards I would like to place the drama itself into this social context in order to understand the character– building of Baraka along with some basic components of the work.hu_HU
dc.description.courseangol nyelv és irodalomhu_HU
dc.description.degreeegyetemihu_HU
dc.format.extent48hu_HU
dc.identifier.urihttp://hdl.handle.net/2437/162235
dc.language.isoenhu_HU
dc.rights.accessiphu_HU
dc.subjectmasculinityhu_HU
dc.subjectfemininityhu_HU
dc.subject.dspaceDEENK Témalista::Művészetek::Színházművészethu_HU
dc.titleBlack Masculinity and White Femininity in Imamu Amiri Baraka's Dutchmanhu_HU
dc.typediplomamunka
Fájlok
Gyűjtemények
Theses (Institute of English and American Studies)