The Disintegration of the Family in Eugene O'Neill's Long Day's Journey into Night and in Sam Shepard's Buried Child

A tétel rövid nézete
dc.contributor.advisorVarró, Gabriella
dc.contributor.authorGalánffy, Nóra
dc.contributor.departmentDE--TEK--Bölcsészettudományi Karhu_HU
dc.date.accessioned2013-05-27T10:10:53Z
dc.date.available2013-05-27T10:10:53Z
dc.date.created2009-03-30
dc.date.issued2013-05-27T10:10:53Z
dc.description.abstractO’Neill’s drama just like Shepard’s Buried Child portray family history as inescapable. These plays depict the family less as a refuge than a trap, therefore as a rather paradoxical union. The reason for the family’s being an entrapping force can be found in the characters’ corrupted relationships that are actually the results of deep-seated psychological wounds. The majority of these wounds are caused by the characters’ failure to fulfill certain conventional gender roles that are forced by the patriarchal society. (Introduction)hu_HU
dc.description.courseangolhu_HU
dc.description.degreeegyetemihu_HU
dc.format.extent47hu_HU
dc.identifier.urihttp://hdl.handle.net/2437/169384
dc.language.isoenhu_HU
dc.rights.accessiphu_HU
dc.subjectdistorted femininity and masculinityhu_HU
dc.subjectdevianceshu_HU
dc.subject.dspaceDEENK Témalista::Irodalomtudomány::Összehasonlító irodalomtudományhu_HU
dc.titleThe Disintegration of the Family in Eugene O'Neill's Long Day's Journey into Night and in Sam Shepard's Buried Childhu_HU
dc.typediplomamunka
Fájlok
Gyűjtemények
Theses (Institute of English and American Studies)