Stillborn Moments in Post-Socialist Slow Cinema

A tétel rövid nézete
dc.contributor.advisorGyőri, Zsolt
dc.contributor.authorSzabó, Zoltán
dc.contributor.departmentDE--Bölcsészettudományi Karhu_HU
dc.date.accessioned2020-05-19T07:55:18Z
dc.date.available2020-05-19T07:55:18Z
dc.date.created2020-04-27
dc.description.abstractThis thesis examines a recent strand of international art films collectively referred to as "slow cinema." Even though the majority of the films categorized as such appear on the surface to violently abstract specific historical formations from their content, I would argue that they are nevertheless grounded in a particular historical experience and articulate a distinct perception of the world that cannot be understood merely as a continuation of the modernist cinematic tradition. As such, this paper is intended to map out some of the connection between the slow cinema of the former Eastern bloc and the affective changes brought about by the collapse of the Soviet Union.hu_HU
dc.description.courseAnglisztikahu_HU
dc.description.degreeMSc/MAhu_HU
dc.format.extent37hu_HU
dc.identifier.urihttp://hdl.handle.net/2437/287812
dc.language.isoenhu_HU
dc.subjectlate capitalismhu_HU
dc.subjectrepetitionhu_HU
dc.subjectslow cinemahu_HU
dc.subject.dspaceDEENK Témalista::Kultúratudományhu_HU
dc.titleStillborn Moments in Post-Socialist Slow Cinemahu_HU
dc.typediplomamunka
Fájlok
Gyűjtemények
Theses (Institute of English and American Studies)