De tuinman, de geldschieter, de koelie-werver en de mandoer

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dc.contributor.authorPusztai, Gábor
dc.date.accessioned2021-06-28T10:28:37Z
dc.date.available2021-06-28T10:28:37Z
dc.date.issued2021-03-01
dc.description.abstractThe Hungarian planter László Székely was active as a painter on Sumatra during the first decennia of the 20th century. In 1923 he painted four portraits of people from the plan­ters’ community: The Mandoer , The Moneylender , The Toekang-kebon and The Koelie recruiter , which appeared in the weekly paper De Zweep . In this article I will give an over­view of the cultural life in Deli and place Székely’s work in this context. Further­more, I will explain the uniqueness of Székely’s portraits, using the theory of the English cultural historian Peter Burke.en
dc.description.abstractThe Hungarian planter László Székely was active as a painter on Sumatra during the first decennia of the 20th century. In 1923 he painted four portraits of people from the plan­ters’ community: The Mandoer , The Moneylender , The Toekang-kebon and The Koelie recruiter , which appeared in the weekly paper De Zweep . In this article I will give an over­view of the cultural life in Deli and place Székely’s work in this context. Further­more, I will explain the uniqueness of Székely’s portraits, using the theory of the English cultural historian Peter Burke.hu
dc.description.abstractThe Hungarian planter László Székely was active as a painter on Sumatra during the first decennia of the 20th century. In 1923 he painted four portraits of people from the plan­ters’ community: The Mandoer , The Moneylender , The Toekang-kebon and The Koelie recruiter , which appeared in the weekly paper De Zweep . In this article I will give an over­view of the cultural life in Deli and place Székely’s work in this context. Further­more, I will explain the uniqueness of Székely’s portraits, using the theory of the English cultural historian Peter Burke.nl
dc.formatapplication/pdf
dc.identifier.citationActa Neerlandica, Nr 16-17 (2020): Woord en beeld , 101-117
dc.identifier.doihttps://doi.org/10.36392/ACTANEERL/2020/16-17/6
dc.identifier.eissn3004-1740
dc.identifier.issn1587-8171
dc.identifier.issue16-17
dc.identifier.jatitleAN
dc.identifier.jtitleActa Neerlandica
dc.identifier.urihttps://hdl.handle.net/2437/314920en
dc.languagenl
dc.relationhttps://ojs.lib.unideb.hu/actaneer/article/view/9127
dc.rights.accessOpen Access
dc.rights.ownerActa Neerlandica
dc.subjectDutch East-Indiesen
dc.subjectDelische Kunstkringen
dc.subjectLászló Székelyen
dc.subjectSumatraen
dc.subjectDutch East-Indieshu
dc.subjectDelische Kunstkringhu
dc.subjectLászló Székelyhu
dc.subjectSumatrahu
dc.subjectDutch East-Indiesnl
dc.subjectDelische Kunstkringnl
dc.subjectLászló Székelynl
dc.subjectSumatranl
dc.titleDe tuinman, de geldschieter, de koelie-werver en de mandoernl
dc.typefolyóiratcikkhu
dc.typearticleen
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