Three Generations of Women - A Three-Generation Woman

dc.contributor.advisorSéllei, Nóra
dc.contributor.authorAgócs, Andrea
dc.contributor.departmentDE--TEK--Bölcsészettudományi Karhu_HU
dc.date.accessioned2013-05-21T11:33:53Z
dc.date.available2013-05-21T11:33:53Z
dc.date.created2009-04-06
dc.date.issued2013-05-21T11:33:53Z
dc.description.abstractThree generations of women – or rather a three-generation woman? One might rightly ask the question after seeing Stephen Daldry’s The Hours, based on Michael Cunningham’s novel with the same title. The basic structure of the film is that we have three women from different ages of the 20th century. The first one is from the beginning of the century, writing a novel; the second one is from the 1950s reading this novel; and the third one is from the present days re-living and at the same time re-shaping the plot of the novel. However, the plot is much more complex than that, there are similarities which pull the three lines of the story together.hu_HU
dc.description.courseanglisztikahu_HU
dc.description.degreeBSc/BAhu_HU
dc.format.extent25hu_HU
dc.identifier.urihttp://hdl.handle.net/2437/168737
dc.language.isoenhu_HU
dc.rights.accessiphu_HU
dc.subjectfemininityhu_HU
dc.subjectalienationhu_HU
dc.subjectsuicidehu_HU
dc.subject.dspaceDEENK Témalista::Pszichológia::Szociálpszichológiahu_HU
dc.titleThree Generations of Women - A Three-Generation Womanhu_HU
dc.title.subtitleStephen Daldry: The Hourshu_HU
dc.typediplomamunka
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