De originaliteit van het plagiaat. Gimmick! eigent zich op postmoderne wijze postmoderne beeldende kunst toe

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dc.contributor.authorGielen, Albert
dc.date.issued2021-03-01
dc.description.abstractGimmick! written by Joost Zwagerman is a postmodern artist’s novel. The protagonist Walter van Raamsdonk, in short called Raam, is a visual artist, just like his friends Groen and Eckhardt. This article analyzes the novel as a postmodern phenomenon centered on postmodern visual art. Because the novel and the visual arts in the novel can be characterized as postmodern, it is investigated which characteristics of the post­modern can be found in both disciplines. To what extent does the novel reflect post-modern art? Citing in both disciplines has far-reaching consequences for the appearance of visual art and for the novel.en
dc.description.abstractGimmick! written by Joost Zwagerman is a postmodern artist’s novel. The protagonist Walter van Raamsdonk, in short called Raam, is a visual artist, just like his friends Groen and Eckhardt. This article analyzes the novel as a postmodern phenomenon centered on postmodern visual art. Because the novel and the visual arts in the novel can be characterized as postmodern, it is investigated which characteristics of the post­modern can be found in both disciplines. To what extent does the novel reflect post-modern art? Citing in both disciplines has far-reaching consequences for the appearance of visual art and for the novel.hu
dc.description.abstractGimmick! written by Joost Zwagerman is a postmodern artist’s novel. The protagonist Walter van Raamsdonk, in short called Raam, is a visual artist, just like his friends Groen and Eckhardt. This article analyzes the novel as a postmodern phenomenon centered on postmodern visual art. Because the novel and the visual arts in the novel can be characterized as postmodern, it is investigated which characteristics of the post­modern can be found in both disciplines. To what extent does the novel reflect post-modern art? Citing in both disciplines has far-reaching consequences for the appearance of visual art and for the novel.nl
dc.formatapplication/pdf
dc.identifier.citationActa Neerlandica, szám 16-17 (2020): Woord en beeld , 139-158
dc.identifier.doihttps://doi.org/10.36392/ACTANEERL/2020/16-17/8
dc.identifier.eissn3004-1740
dc.identifier.issn1587-8171
dc.identifier.issue16-17
dc.identifier.jatitleAN
dc.identifier.jtitleActa Neerlandica
dc.identifier.urihttps://hdl.handle.net/2437/314922en
dc.languagehu
dc.relationhttps://ojs.lib.unideb.hu/actaneer/article/view/9133
dc.rights.accessOpen Access
dc.rights.ownerActa Neerlandica
dc.subjectJoost Zwagermanen
dc.subjectartist’s novelen
dc.subjectvisual arten
dc.subjectpostmodernismen
dc.subjectRob Scholteen
dc.subjectJoost Zwagermanhu
dc.subjectartist’s novelhu
dc.subjectvisual arthu
dc.subjectpostmodernismhu
dc.subjectRob Scholtehu
dc.subjectJoost Zwagermannl
dc.subjectartist’s novelnl
dc.subjectvisual artnl
dc.subjectpostmodernismnl
dc.subjectRob Scholtenl
dc.titleDe originaliteit van het plagiaat. Gimmick! eigent zich op postmoderne wijze postmoderne beeldende kunst toehu
dc.typefolyóiratcikkhu
dc.typearticleen
dc.type.detailedmagyar nyelvű folyóiratközlemény hazai lapbanhu
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