Jane Eyre’s Escape from the Perspective of Victorian Expectations About Women

dc.contributor.advisorSéllei, Nóra
dc.contributor.authorKorompai, Flóra Luca
dc.contributor.departmentDE--Bölcsészettudományi Karhu_HU
dc.date.accessioned2017-05-19T07:34:25Z
dc.date.available2017-05-19T07:34:25Z
dc.date.created2017
dc.description.abstractIn the Victorian era, women were doomed to pass their lives in undisturbed tranquillity and passivity; it was also predestined what modes and methods of escape were accepted as appropriate. Physically running away was traditionally not one of them. However, as Sarah Gilead observes, “[r]epeatedly, Jane [Eyre] inhabits a literal or metaphorical structure, a house, a geographic setting, a social situation, and flees it” (304). In my essay, I analyse her active, by Victorian standards unfeminine, way of escaping restricting or oppressive situations, laying special emphasis on her relationship with other female characters, Rochester, and St John Rivers.hu_HU
dc.description.correctorBK
dc.description.courseAnglisztikahu_HU
dc.description.degreeBSc/BAhu_HU
dc.format.extent21hu_HU
dc.identifier.urihttp://hdl.handle.net/2437/240578
dc.language.isoenhu_HU
dc.subjectJane Eyrehu_HU
dc.subjectVictorian era
dc.subjectCharlotte Brontë
dc.subject.dspaceDEENK Témalista::Irodalomtudományhu_HU
dc.titleJane Eyre’s Escape from the Perspective of Victorian Expectations About Womenhu_HU
dc.typediplomamunka
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