Rebirth of the Tragedy in James Joyce's Ulysses

dc.contributor.advisorGula, Marianna
dc.contributor.authorVarga, Sebestyén
dc.contributor.departmentDE--TEK--Bölcsészettudományi Karhu_HU
dc.date.accessioned2013-05-29T14:59:20Z
dc.date.available2013-05-29T14:59:20Z
dc.date.created2008-12-27
dc.date.issued2013-05-29T14:59:20Z
dc.description.abstractIn my thesis I will examine James Joyce’s Ulysses (1922) in the light of Friedrich Nietzche’s The Birth of Tragedy Out of the Spirit of Music (1871). I will focus on how two key concepts of The Birth of Tragedy – Dionysian and Apollonian – appear in the text of Ulysses and how they are related to its two main characters, Stephen Dedalus and Leopold Bloom. Finally, I will discuss the relationship of the Dionysian and Apollonian drives as represented by the two characters in the fifteenth episode, “Circe”. In Nietzsche’s work the two gods, Dionysus and Apollo represent two different ways of thinking, which complement each other. Dionysus, the god of wine, is generally associated with ecstasy, madness, freedom and excess, while Apollo’s main features are beauty and moderation. As the two drives, Dionysian and Apollonian, merge, Attic tragedy is born, which – according to Nietzsche – should be the basis of all European art. However, European art is not defined by Attic tragedy, but by its successor, New Attic comedy, which emphasizes the moral values of a work of art. This is unacceptable for Nietzsche; therefore he urges a renewal of European art, based on Attic tragedy.hu_HU
dc.description.courseangolhu_HU
dc.description.degreeegyetemihu_HU
dc.format.extent36hu_HU
dc.identifier.urihttp://hdl.handle.net/2437/169777
dc.language.isoenhu_HU
dc.rights.accessiphu_HU
dc.subjectDionüszoszhu_HU
dc.subjectApollónhu_HU
dc.subjecttragédiahu_HU
dc.subjectIrish literaturehu_HU
dc.subject.dspaceDEENK Témalista::Irodalomtudomány::Összehasonlító irodalomtudományhu_HU
dc.titleRebirth of the Tragedy in James Joyce's Ulysseshu_HU
dc.typediplomamunka
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