The Power of Fantasy

A tétel rövid nézete
dc.contributor.advisorNémeth, Lenke Mária
dc.contributor.authorKocsis, Lilla
dc.contributor.departmentDE--TEK--Bölcsészettudományi Karhu_HU
dc.date.accessioned2013-02-20T13:33:24Z
dc.date.available2013-02-20T13:33:24Z
dc.date.created2011-04-14
dc.date.issued2013-02-20T13:33:24Z
dc.description.abstractThe present thesis aims to demonstrate how the self-representation of theatre appears in a modern play, Tennessee Williams’s A Streetcar Named Desire (1947) and in a postmodern play, David Henry Hwang’s M. Butterfly (1988). I argue that the theatricality is thematized by the main characters ―Blanche DuBois and Stanley Kowalski in A Streetcar Named Desire and Song Liling and Rene Gallimard in M. Butterfly― taking on roles and functions inevitably linked with a theatrical production, namely the playwright, the actor, the audience and the director.hu_HU
dc.description.courseangol nyelv és irodalomhu_HU
dc.description.degreeegyetemihu_HU
dc.format.extent52hu_HU
dc.identifier.urihttp://hdl.handle.net/2437/160184
dc.language.isoenhu_HU
dc.rights.accessiphu_HU
dc.subjectszínházhu_HU
dc.subjectidentitáshu_HU
dc.subjectönreflexióhu_HU
dc.subject.dspaceDEENK Témalista::Irodalomtudomány::Összehasonlító irodalomtudományhu_HU
dc.subject.dspaceDEENK Témalista::Művészetek::Színházművészethu_HU
dc.titleThe Power of Fantasyhu_HU
dc.title.subtitleThe Self-Reflection of Theatre in A Streetcar Named Desire and M. Butterflyhu_HU
dc.typediplomamunka
Fájlok
Gyűjtemények
Theses (Institute of English and American Studies)