The Representation of Multiculturalism in Contemporary British Cinema

A tétel rövid nézete
dc.contributor.advisorGyőri, Zsolt
dc.contributor.authorTörök, Lívia
dc.contributor.departmentDE--TEK--Bölcsészettudományi Karhu_HU
dc.date.accessioned2013-01-21T07:24:12Z
dc.date.available2013-01-21T07:24:12Z
dc.date.created2012-04-16
dc.date.issued2013-01-21T07:24:12Z
dc.description.abstractMy thesis concentrates on the cinematic representation of the encounter and coexistence between East and West. I hope to analyse the nature of this encounter and coexistence – let it be considered either a salad bowl or as a melting pot – with the help of nine films made between 1985 and 2010. Obviously there are a great deal of many more films which address the issues of conformity and resistance of Islam and Sikh culture in Britain. The funniest one, It’s a Wondeful Afterlife, is not on this list because it represents a utopian view of multiculturalism. In this film the multicultural context is played down and comic elements in the tradition of classic Ealing films become overvalued. I have decided not to include TV films, like Bradford Riots, nor will I discuss films by English-Indian directors set exclusively outside Britain. Bride and Prejudice by Gurinder Chandra would belong to this category.hu_HU
dc.description.courseanglisztikahu_HU
dc.description.degreeBschu_HU
dc.format.extent44hu_HU
dc.identifier.urihttp://hdl.handle.net/2437/156448
dc.language.isoenhu_HU
dc.rights.accessiphu_HU
dc.subjectgenerationhu_HU
dc.subjectculturehu_HU
dc.subjectgenderhu_HU
dc.subjectsexualityhu_HU
dc.subject.dspaceDEENK Témalista::Társadalomtudományok::Kultúrális antropológiahu_HU
dc.titleThe Representation of Multiculturalism in Contemporary British Cinemahu_HU
dc.title.subtitleThe South Asian Diasporahu_HU
dc.typediplomamunka
Fájlok
Gyűjtemények
Theses (Institute of English and American Studies)