Representation of Race in Eugene O'Neill's Dramas

dc.contributor.advisorVarró, Gabriella
dc.contributor.authorMunkácsi, Melinda
dc.contributor.departmentDE--TEK--Bölcsészettudományi Karhu_HU
dc.date.accessioned2013-06-07T10:28:39Z
dc.date.available2013-06-07T10:28:39Z
dc.date.created2009-04-15
dc.date.issued2013-06-07T10:28:39Z
dc.description.abstractI chose Eugene O’Neill, one of the most famous American playwrights, as the topic for my thesis since I have always been fascinated by his dramas ever since my first exposure to his plays. I found him the most intriguing and most fascinating of all the playwrights I encountered during my five years at the University of Debrecen. He experimented with so many techniques and topics that reading his dramas would always remain compulsory for everyone who is interested in American literature, and drama, particularly. Of all his themes I chose the racial discourse as a relevant focus of analysis, because I found that his plays dealing with it remained largely neglected and unread by many, even if the Negro problem never ceased to be actual and serious. Especially his earlier one-act Negro plays are unknown and the two later works selected for discussion here are rarely staged. However, all of his plays, including the below detailed Negro plays are essential in understanding the evolution which O’Neill’s art went through. In addition, he wrote these plays before or at the beginning of the Harlem Renaissance when the representation of the Negroes was rethought and redrawn. The gradual alteration and development in O’Neill’s Negro plays mirrors how a white playwright’s perception of the blacks changed during the Jazz Age.hu_HU
dc.description.courseangol nyelv és irodalomhu_HU
dc.description.degreeegyetemihu_HU
dc.format.extent42hu_HU
dc.identifier.urihttp://hdl.handle.net/2437/170510
dc.language.isoenhu_HU
dc.rights.accessiphu_HU
dc.subjectracehu_HU
dc.subjectgrotesquehu_HU
dc.subjectAmerican dramahu_HU
dc.subject.dspaceDEENK Témalista::Irodalomtudományhu_HU
dc.titleRepresentation of Race in Eugene O'Neill's Dramashu_HU
dc.typediplomamunka
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