A Shift in Female Gender Roles in Postmodern American Drama

dc.contributor.advisorNémeth, Lenke
dc.contributor.authorAlföldiné Kiss, Piroska
dc.contributor.departmentDE--TEK--Bölcsészettudományi Karhu_HU
dc.date.accessioned2013-10-08T07:31:29Z
dc.date.available2013-10-08T07:31:29Z
dc.date.created2007-04-15
dc.date.issued2013-10-08T07:31:29Z
dc.description.abstractI attempt to investigate the shift in female gender roles and its effects on the family as the smallest social unit as represented in the selected works of three postmodern American playwrights: Adrienne Kennedy’s A Movie Star Has to Star in Black and White (1976), Sam Shepard’s True West (1980) and David Mamet’s The Cryptogram (1990). The aim of the thesis is to reveal the main elements of this particular subject matter, and the way these dramatists visualize the apparent complexity of this social phenomenon in their works.hu_HU
dc.description.courseangol nyelv és irodalom szakos tanár (kiegészítő levelező képzés)hu_HU
dc.description.degreerégi képzéshu_HU
dc.format.extent47hu_HU
dc.identifier.urihttp://hdl.handle.net/2437/173621
dc.language.isoenhu_HU
dc.subjectpostmodernismhu_HU
dc.subjectAmerican Dramahu_HU
dc.subject.dspaceDEENK Témalista::Irodalomtudomány::Összehasonlító irodalomtudományhu_HU
dc.titleA Shift in Female Gender Roles in Postmodern American Dramahu_HU
dc.typediplomamunka
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