The Double Discourse on Victorian Womanhood and Sexuality from a Contemporary Perspective

dc.contributor.advisorSéllei, Nóra
dc.contributor.authorPavletits, Orsolya
dc.contributor.departmentDE--TEK--Bölcsészettudományi Karhu_HU
dc.date.accessioned2013-05-29T14:50:53Z
dc.date.available2013-05-29T14:50:53Z
dc.date.created2009-03-27
dc.date.issued2013-05-29T14:50:53Z
dc.description.abstractMy argument will proceed in three stages: I will explore the ways Waters uses ideas about gender and sexuality and undermines the repressive conceptions the Victorians are known for today. I am going to demonstrate the traditional image of the Victorian woman, against the women of Waters. I will, then, examine the notion of the gaze and observation in relation to women as objects, whereas in the third section, I will conclude with a brief analysis of the female same-sex desire and the diverse reality Waters represents in relation to the Victorian underworld.hu_HU
dc.description.courseangol nyelv és irodalomhu_HU
dc.description.degreeegyetemihu_HU
dc.format.extent51hu_HU
dc.identifier.urihttp://hdl.handle.net/2437/169757
dc.language.isoenhu_HU
dc.rights.accessiphu_HU
dc.subjectVictorian Agehu_HU
dc.subjectBritish fictionhu_HU
dc.subject.dspaceDEENK Témalista::Irodalomtudomány::Összehasonlító irodalomtudományhu_HU
dc.titleThe Double Discourse on Victorian Womanhood and Sexuality from a Contemporary Perspectivehu_HU
dc.title.subtitleBased on Sarah Waters's Novels Tipping the Velvet and Affinityhu_HU
dc.typediplomamunka
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