De spreker als speler

A tétel rövid nézete
dc.contributor.authorHamans, Camiel
dc.date.accessioned2024-07-22T19:51:05Z
dc.date.available2024-07-22T19:51:05Z
dc.date.issued2024-05-27
dc.description.abstractThis contribution discusses three forms of conscious word formation in Dutch that show characteristics of word play: (pseudo) embellished clipping, blending and libfixing. Traditionally, these word formation processes are considered unpredictable and not systematic. Analysis of these processes shows that they are by no means chaotic, but that they follow fixed rules and systematics. According to this research, language play is not unfocused, but follows rules of which the language user is not aware. The forms of language play analyzed here can lead to language changes, which should consequently not be regarded as accidental.en
dc.description.abstractThis contribution discusses three forms of conscious word formation in Dutch that show characteristics of word play: (pseudo) embellished clipping, blending and libfixing. Traditionally, these word formation processes are considered unpredictable and not systematic. Analysis of these processes shows that they are by no means chaotic, but that they follow fixed rules and systematics. According to this research, language play is not unfocused, but follows rules of which the language user is not aware. The forms of language play analyzed here can lead to language changes, which should consequently not be regarded as accidental.hu
dc.description.abstractThis contribution discusses three forms of conscious word formation in Dutch that show characteristics of word play: (pseudo) embellished clipping, blending and libfixing. Traditionally, these word formation processes are considered unpredictable and not systematic. Analysis of these processes shows that they are by no means chaotic, but that they follow fixed rules and systematics. According to this research, language play is not unfocused, but follows rules of which the language user is not aware. The forms of language play analyzed here can lead to language changes, which should consequently not be regarded as accidental.nl
dc.formatapplication/pdf
dc.identifier.citationActa Neerlandica, Nr 20 (2023) , 39-54
dc.identifier.doihttps://doi.org/10.36392/ACTANEERL/2023/20/3
dc.identifier.eissn3004-1740
dc.identifier.issn1587-8171
dc.identifier.issue20
dc.identifier.jatitleAN
dc.identifier.jtitleActa Neerlandica
dc.identifier.urihttps://hdl.handle.net/2437/375961
dc.languagenl
dc.relationhttps://ojs.lib.unideb.hu/actaneer/article/view/14357
dc.rights.accessOpen Access
dc.rights.ownerActa Neerlandica
dc.subjectrule based word playen
dc.subject(pseudo) embellished clippingen
dc.subjectblendingen
dc.subjectlibfixingen
dc.subjectrule based word playhu
dc.subject(pseudo) embellished clippinghu
dc.subjectblendinghu
dc.subjectlibfixinghu
dc.subjectrule based word playnl
dc.subject(pseudo) embellished clippingnl
dc.subjectblendingnl
dc.subjectlibfixingnl
dc.titleDe spreker als spelernl
dc.typefolyóiratcikkhu
dc.typearticleen
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