Poetics of Theatre Space in Two Recent London Productions of Shakespeare's Plays
| dc.contributor.advisor | Oroszné Gula , Marianna | |
| dc.contributor.author | Ignácz, Orsolya | |
| dc.contributor.department | DE--Bölcsészettudományi Kar | |
| dc.date.accessioned | 2026-02-05T09:51:12Z | |
| dc.date.available | 2026-02-05T09:51:12Z | |
| dc.date.created | 2025 | |
| dc.description.abstract | This thesis examines the use of theatre space in Shakespeare’s Coriolanus (2014) directed by Josie Rourke’s and Nicholas Hytner’s A Midsummer Night’s Dream (2019). Both adaptations rely heavily on the poetic potential of space, one by highlighting isolation and entrapment, the other by offering an escape into a vast, open world. Drawing on Gaston Bachelard’s concepts from The Poetics of Space it analyses how spatial confinement shapes the tragedy of Coriolanus, while openness and expansion define the world of A Midsummer Night’s Dream. | |
| dc.description.course | Anglisztika | |
| dc.description.degree | BSc/BA | |
| dc.format.extent | 28 | |
| dc.identifier.uri | https://hdl.handle.net/2437/404016 | |
| dc.language.iso | en | |
| dc.rights.info | Hozzáférhető a 2022 decemberi felsőoktatási törvénymódosítás értelmében. | |
| dc.subject | William Shakespeare | |
| dc.subject | London Theatre | |
| dc.subject | Stage design | |
| dc.subject.dspace | Literary Studies::Comparative Literary Studies | |
| dc.title | Poetics of Theatre Space in Two Recent London Productions of Shakespeare's Plays | |
| dc.type | diplomamunka |
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