Analyzing Blade Runner: What Lies Behind the Movie Screen?

A tétel rövid nézete
dc.contributor.advisorBülgözdi, Imola
dc.contributor.authorDemeter, Dávid Bence
dc.contributor.departmentDE--Bölcsészettudományi Kar
dc.date.accessioned2023-05-15T11:23:36Z
dc.date.available2023-05-15T11:23:36Z
dc.date.created2023-04
dc.description.abstractThe thesis is about the analysis of the two films: Blade Runner made in 1982 and its sequel Blade Runner 2049 from 2017 in the sense of identity and self-narrative. The analysis is strongly based on Cultural Studies, and the concepts are used from Chris Barker's The SAGE Dictionary of Cultural Studies and applied further in the thesis. The priorities were on determining the self-narratives of the two protagonists, Rick Deckard and K/Joe and how their identity changed through the events. In another chapter the replicants' status as an independent and oppressed group was analyzed in the social environment of the movies and what differences are observable between the two representation. In the last chapter Roy Batty, an essential character of the first film were examined in depth and his connection to the eye metaphor which has an emerging importance throughout the entire Blade Runner franchise.
dc.description.correctorKE
dc.description.courseEnglish and American Studies
dc.description.degreeBSc/BA
dc.format.extent27
dc.identifier.urihttps://hdl.handle.net/2437/353418
dc.language.isoen
dc.rights.accessHozzáférhető a 2022 decemberi felsőoktatási törvénymódosítás értelmében.
dc.subjectcyberpunk
dc.subjectBlade Runner
dc.subjectidentity
dc.subjectself-narrative
dc.subjectreplicants
dc.subject.dspaceDEENK Témalista::Kultúratudomány
dc.titleAnalyzing Blade Runner: What Lies Behind the Movie Screen?
dc.title.translatedBlade Runner Analizálása: Mi Van a Filmvászon Mögött?
dc.typediplomamunka
Fájlok
Gyűjtemények
Theses (Institute of English and American Studies)