A vigasz három variánsa
| dc.contributor.author | Arató, László | |
| dc.date.issued | ||
| dc.description.abstract | My paper is basically methodological, I use comparative poem analysis strategies to read Mihály Babits’s three poems: “Zsoltár férfihangra” (“Psalm for Male Voice”), “Tremolo” (“Tremolo”), and “Csak posta voltál” (“You Were Just a Letter”). The ostensible clearly the narrator himself, thus all three poems can be understood as lyric addresses. On the other hand, the approaches of the three poems are completely different: the “Psalm for Male Voice’s” is cosmological-anthropological, the “Tremolo’s” is psychological, and the “You Were Just a Letter’s” is personality theoretical-anthropological-ontological. The poems could be interpreted successfully by secondary students as well, since the lyric address poem trio is thematically close to the teenagers experiencing identity crisis: two of the poems (“Psalm for Male Voice” and “Tremolo”) offer opportunities for self-asserting and comfort, the third one (“You Were Just a Letter”) stages the process of self-investigation and it explores the great question of teen age: “Who am I?”. | en |
| dc.description.abstract | My paper is basically methodological, I use comparative poem analysis strategies to read Mihály Babits’s three poems: “Zsoltár férfihangra” (“Psalm for Male Voice”), “Tremolo” (“Tremolo”), and “Csak posta voltál” (“You Were Just a Letter”). The ostensible clearly the narrator himself, thus all three poems can be understood as lyric addresses. On the other hand, the approaches of the three poems are completely different: the “Psalm for Male Voice’s” is cosmological-anthropological, the “Tremolo’s” is psychological, and the “You Were Just a Letter’s” is personality theoretical-anthropological-ontological. The poems could be interpreted successfully by secondary students as well, since the lyric address poem trio is thematically close to the teenagers experiencing identity crisis: two of the poems (“Psalm for Male Voice” and “Tremolo”) offer opportunities for self-asserting and comfort, the third one (“You Were Just a Letter”) stages the process of self-investigation and it explores the great question of teen age: “Who am I?”. | hu |
| dc.format | application/pdf | |
| dc.identifier.citation | Studia Litteraria, Évf. 58 szám 3-4 (2019): Műelemzések , 140–152. | |
| dc.identifier.doi | https://doi.org/10.37415/studia/2019/58/7463 | |
| dc.identifier.eissn | 2063-1049 | |
| dc.identifier.issn | 0562-2867 | |
| dc.identifier.issue | 3-4 | |
| dc.identifier.jatitle | Stud.litt. | |
| dc.identifier.jtitle | Studia Litteraria | |
| dc.identifier.uri | https://hdl.handle.net/2437/296042 | en |
| dc.identifier.volume | 58 | |
| dc.language | hu | |
| dc.relation | https://ojs.lib.unideb.hu/studia/article/view/7463 | |
| dc.rights.access | Open Access | |
| dc.rights.owner | Studia Litteraria | |
| dc.title | A vigasz három variánsa | hu |
| dc.type | folyóiratcikk | hu |
| dc.type | article | en |
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