Things Written and Unwritten

dc.contributor.advisorMolnár, Judit
dc.contributor.authorNagy, Katalin Zsuzsanna
dc.contributor.departmentDE--TEK--Bölcsészettudományi Karhu_HU
dc.date.accessioned2013-05-29T10:30:41Z
dc.date.available2013-05-29T10:30:41Z
dc.date.created2008-12-15
dc.date.issued2013-05-29T10:30:41Z
dc.description.abstractIn my thesis I will explore the multiple functions writing can fulfill and the stylistic methods of Margaret Atwood, a female author who, being an expert in almost every kind of literary genre uses those methods skillfully to captivate her readers’ attention, drawing their focus to writing as an act, the various textual layers, the different genres employed in The Blind Assassin, and their importance. I would also like to analyze the reader's role in “composing” the novel, and the how a self-reflective text can evoke self-consciousness in their reader too, and at the same time questioning their own validity and truth-value.hu_HU
dc.description.courseangol nyelv és irodalomhu_HU
dc.description.degreeegyetemihu_HU
dc.format.extent41hu_HU
dc.identifier.urihttp://hdl.handle.net/2437/169660
dc.language.isoenhu_HU
dc.rights.accessiphu_HU
dc.subjectCanadian fictionhu_HU
dc.subjectnarrattive techniqueshu_HU
dc.subject.dspaceDEENK Témalista::Irodalomtudomány::Összehasonlító irodalomtudományhu_HU
dc.titleThings Written and Unwrittenhu_HU
dc.title.subtitleNarrative Techniques and the Function of Different Textual Layers in Margaret Atwood's The Blind Assassinhu_HU
dc.typediplomamunka
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