The Gothic Mother-Daughter Relationship in Margaret Atwood's Lady Oracle, Toni Morrison's Beloved and Gillian Flynn's Sharp Objects

A tétel rövid nézete
dc.contributor.advisorSzalay, Edina
dc.contributor.authorMihele, Nóra
dc.contributor.departmentDE--TEK--Bölcsészettudományi Karhu_HU
dc.date.accessioned2013-03-18T15:11:30Z
dc.date.available2013-03-18T15:11:30Z
dc.date.created2010-04-15
dc.date.issued2013-03-18T15:11:30Z
dc.description.abstractMy analysis will cover, in the context of the Gothic, the topic of narrative techniques in the mentioned works, the complex psychological background of the relationship between mothers and daughters, the climactic phase of the weird relationship when psychological struggle deepens into physical violence and finally the function of other women who influence the central relation between mother and daughter, in the characters of sister and a surrogate mother. Throughout the discussion I am going to focus on the problematic mother-daughter relationship as the root of the motivating force of the plot and the lives of women characters in the novels.hu_HU
dc.description.courseangol nyelv és irodalomhu_HU
dc.description.degreeegyetemihu_HU
dc.format.extent47hu_HU
dc.identifier.urihttp://hdl.handle.net/2437/161986
dc.language.isoenhu_HU
dc.rights.accessiphu_HU
dc.subjectgótikahu_HU
dc.subjectanya-lánya kapcsolathu_HU
dc.subject.dspaceDEENK Témalista::Irodalomtudomány::Összehasonlító irodalomtudományhu_HU
dc.titleThe Gothic Mother-Daughter Relationship in Margaret Atwood's Lady Oracle, Toni Morrison's Beloved and Gillian Flynn's Sharp Objectshu_HU
dc.typediplomamunka
Fájlok
Gyűjtemények
Theses (Institute of English and American Studies)