Woord en beeld: Iemand had twee zonen (Lucas 15:11-32)

A tétel rövid nézete
dc.contributor.authorGosker, Margriet
dc.date.accessioned2021-06-28T10:28:38Z
dc.date.available2021-06-28T10:28:38Z
dc.date.issued2021-03-01
dc.description.abstractAs an ecumenical theologian I studied all my life the words of the Holy Scriptures. I am also interested in images, strengthening the power of expression of words and the Word, and the other way around. In our present time the culture of images seems to be more and more important. One image can tell you more in a minute than many words can do. The Bible is interpreted by many interpreters and preachers in books, sermons and meditations. How can images interpret these Bible Stories? It is a challenge to show the correlation between the words of the Bible and its images. In this essay, I focus on the parable of the prodigal son. It shows three personalities: the father and his two sons. This raises the question: what about the mother? What is the interference between this story and the way individual artists managed to shape it in paint, pencil, stone, woodcut, and other materials? The youngest son is a spoiler. His life is adventure and pleasure and he has no limits. The eldest son is responsible and obedient, but he also has his dark side. Both of them could be a question to us. With whom could we identify ourselves? Some artists in their finest imagination did not stick to the story and made images of the mother or even of a prodigal daughter.en
dc.description.abstractAs an ecumenical theologian I studied all my life the words of the Holy Scriptures. I am also interested in images, strengthening the power of expression of words and the Word, and the other way around. In our present time the culture of images seems to be more and more important. One image can tell you more in a minute than many words can do. The Bible is interpreted by many interpreters and preachers in books, sermons and meditations. How can images interpret these Bible Stories? It is a challenge to show the correlation between the words of the Bible and its images. In this essay, I focus on the parable of the prodigal son. It shows three personalities: the father and his two sons. This raises the question: what about the mother? What is the interference between this story and the way individual artists managed to shape it in paint, pencil, stone, woodcut, and other materials? The youngest son is a spoiler. His life is adventure and pleasure and he has no limits. The eldest son is responsible and obedient, but he also has his dark side. Both of them could be a question to us. With whom could we identify ourselves? Some artists in their finest imagination did not stick to the story and made images of the mother or even of a prodigal daughter.hu
dc.description.abstractAs an ecumenical theologian I studied all my life the words of the Holy Scriptures. I am also interested in images, strengthening the power of expression of words and the Word, and the other way around. In our present time the culture of images seems to be more and more important. One image can tell you more in a minute than many words can do. The Bible is interpreted by many interpreters and preachers in books, sermons and meditations. How can images interpret these Bible Stories? It is a challenge to show the correlation between the words of the Bible and its images. In this essay, I focus on the parable of the prodigal son. It shows three personalities: the father and his two sons. This raises the question: what about the mother? What is the interference between this story and the way individual artists managed to shape it in paint, pencil, stone, woodcut, and other materials? The youngest son is a spoiler. His life is adventure and pleasure and he has no limits. The eldest son is responsible and obedient, but he also has his dark side. Both of them could be a question to us. With whom could we identify ourselves? Some artists in their finest imagination did not stick to the story and made images of the mother or even of a prodigal daughter.nl
dc.formatapplication/pdf
dc.identifier.citationActa Neerlandica, Nr 16-17 (2020): Woord en beeld , 159-195
dc.identifier.doihttps://doi.org/10.36392/ACTANEERL/2020/16-17/9
dc.identifier.eissn3004-1740
dc.identifier.issn1587-8171
dc.identifier.issue16-17
dc.identifier.jatitleAN
dc.identifier.jtitleActa Neerlandica
dc.identifier.urihttps://hdl.handle.net/2437/314923en
dc.languagenl
dc.relationhttps://ojs.lib.unideb.hu/actaneer/article/view/9134
dc.rights.accessOpen Access
dc.rights.ownerActa Neerlandica
dc.subjectParableen
dc.subjectArt of forgivenessen
dc.subjectBiblical imagesen
dc.subjectFather and two sonsen
dc.subjectCollection Gerbensen
dc.subjectGraceen
dc.subjectLucas 15en
dc.subjectProdigal sonen
dc.subjectProdigal daughteren
dc.subjectReal freedomen
dc.subjectTheology and arten
dc.subjectUnmentionable loveen
dc.subjectParablehu
dc.subjectArt of forgivenesshu
dc.subjectBiblical imageshu
dc.subjectFather and two sonshu
dc.subjectCollection Gerbenshu
dc.subjectGracehu
dc.subjectLucas 15hu
dc.subjectProdigal sonhu
dc.subjectProdigal daughterhu
dc.subjectReal freedomhu
dc.subjectTheology and arthu
dc.subjectUnmentionable lovehu
dc.subjectParablenl
dc.subjectArt of forgivenessnl
dc.subjectBiblical imagesnl
dc.subjectFather and two sonsnl
dc.subjectCollection Gerbensnl
dc.subjectGracenl
dc.subjectLucas 15nl
dc.subjectProdigal sonnl
dc.subjectProdigal daughternl
dc.subjectReal freedomnl
dc.subjectTheology and artnl
dc.subjectUnmentionable lovenl
dc.titleWoord en beeld: Iemand had twee zonen (Lucas 15:11-32)nl
dc.typefolyóiratcikkhu
dc.typearticleen
dc.type.detailedidegen nyelvű folyóiratközlemény hazai lapbanhu
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