The Representation of African Americans in Cinema Fifty Years After The Civil Rights Movements

A tétel rövid nézete
dc.contributor.advisorGlant, Tibor
dc.contributor.authorKiss, Petra
dc.contributor.departmentDE--Bölcsészettudományi Karhu_HU
dc.date.accessioned2019-06-03T10:13:52Z
dc.date.available2019-06-03T10:13:52Z
dc.date.created2019-04-15
dc.description.abstractThis Thesis explores the representation of African Americans in cinema fifty years after the civil rights movements. First, it investigates the patronizing type of movies which tend to use white supremacist themes. After that, the documentaries of the Civil Rights Movements are analyzed in a retrospective way. The next chapter revolves around the critical African Americans narratives. The last part compares two contemporary movies: Green Book and BlacKkKlansman.hu_HU
dc.description.correctorBK
dc.description.courseAmerikanisztikahu_HU
dc.description.degreeMSc/MAhu_HU
dc.format.extent43hu_HU
dc.identifier.urihttp://hdl.handle.net/2437/268602
dc.language.isoen_UShu_HU
dc.subjectAfrican Americanhu_HU
dc.subjectCivil Rights Movement
dc.subjectrepresentation
dc.subjectfilm
dc.subjectracism
dc.subject.dspaceDEENK Témalista::Kultúratudományhu_HU
dc.titleThe Representation of African Americans in Cinema Fifty Years After The Civil Rights Movementshu_HU
dc.typediplomamunka
Fájlok
Gyűjtemények
Theses (Institute of English and American Studies)