The Legitimacy of the Notion of Genius in Peter Ackroyd's Chatterton

A tétel rövid nézete
dc.contributor.advisorMoise, Gabriella
dc.contributor.authorSzoboszlai, Réka
dc.contributor.departmentDE--TEK--Bölcsészettudományi Karhu_HU
dc.date.accessioned2013-02-18T14:53:32Z
dc.date.available2013-02-18T14:53:32Z
dc.date.created2011-03-30
dc.date.issued2013-02-18T14:53:32Z
dc.description.abstractPeter Ackroyd breaks away from conventional and idealistic approaches – whose historical outlook I shall introduce in the course of the present paper – towards originality by appointing the genius of forgeries to the subject of his novel. Chatterton addresses and undermines issues that are seemingly taken for granted for instance, the concept of authenticity, originality and counterfeit, plagiarism, in order to involve the reader into the subtle maze of the quest that is centred around the investigation for the real representation of the life of Thomas Chatterton. This paper aims at examining the legitimacy of the notion of genius in the late 20th century within the framework of Ackroyd's postmodern novel that attempts to recreate the life of a master plagiarist.hu_HU
dc.description.courseanglisztikahu_HU
dc.description.degreeMschu_HU
dc.format.extent38hu_HU
dc.identifier.urihttp://hdl.handle.net/2437/160057
dc.language.isoenhu_HU
dc.rights.accessiphu_HU
dc.subjectChattertonhu_HU
dc.subjectpostmodernismhu_HU
dc.subjectgeniushu_HU
dc.subject.dspaceDEENK Témalista::Irodalomtudományhu_HU
dc.titleThe Legitimacy of the Notion of Genius in Peter Ackroyd's Chattertonhu_HU
dc.typediplomamunka
Fájlok
Gyűjtemények
Theses (Institute of English and American Studies)