The Role Of Juxtapositions, Music And Violence In Stanley Kubrick’s A Clockwork Orange

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dc.contributor.advisorGyőri, Zsolt
dc.contributor.authorLutián, Balázs
dc.contributor.departmentDE--Bölcsészettudományi Karhu_HU
dc.date.accessioned2018-05-23T13:07:09Z
dc.date.available2018-05-23T13:07:09Z
dc.date.created2018-04-13
dc.description.abstractIn this paper I examined Stanley Kubrick's A Clockwork Orange focusing on juxtapositions, music and violence. I concentrated on the devices the director uses to make the audience feel discomfort, and how this is related to the message of the film. I focused on specific scores of the film and their roles. I argued that the film's main idea is that violence is normal. It is a fundamental human characteristic, which is perfectly shown on Alex.hu_HU
dc.description.courseAnglisztikahu_HU
dc.description.degreeBSc/BAhu_HU
dc.format.extent21hu_HU
dc.identifier.urihttp://hdl.handle.net/2437/252674
dc.language.isoenhu_HU
dc.subjectClockwork Orangehu_HU
dc.subjectmusichu_HU
dc.subjectKubrickhu_HU
dc.subject.dspaceDEENK Témalista::Filozófiahu_HU
dc.titleThe Role Of Juxtapositions, Music And Violence In Stanley Kubrick’s A Clockwork Orangehu_HU
dc.typediplomamunka
Fájlok
Gyűjtemények
Theses (Institute of English and American Studies)