Lady Gaga and the Monster Theory

A tétel rövid nézete
dc.contributor.advisorKalmár, György
dc.contributor.authorPinczés, Mariann
dc.contributor.departmentDE--TEK--Bölcsészettudományi Karhu_HU
dc.date.accessioned2013-01-17T13:03:18Z
dc.date.available2013-01-17T13:03:18Z
dc.date.created2012-04-16
dc.date.issued2013-01-17T13:03:18Z
dc.description.abstractAfter the release of her first album The Fame in 2008, Lady Gaga became one of the most influential celebrities in the world as well as the first artist to attract twenty million followers on the most famous online networking service Twitter, and from that moment she has been incontrollably conquering the world of popular culture. Her songs are played by radios worldwide, and there are always some blank sheets in many magazines to thrash out not only her unique art but every moment of her private life. Being a ubiquitous pop star, Lady Gaga has already become a cultural phenomenon. Her incomparable performances on stage either make her fans fall into a trance or evoke immense indignation in others. Thus one thing can be concluded: her art produces an effect on people. With her outrageous fashion and freakish performances giving occasion for disgust, as the sociologist Victor P. Corona argues, the pop star's aesthetics celebrates a "monstrous Otherness" (Corona, 1). For today the monster image has irrevocably become associated with Gaga's image.hu_HU
dc.description.courseanglisztikahu_HU
dc.description.degreeBschu_HU
dc.format.extent36hu_HU
dc.identifier.urihttp://hdl.handle.net/2437/156261
dc.language.isoenhu_HU
dc.rights.accessiphu_HU
dc.subjectfemale monsterhu_HU
dc.subjectGothic traditionhu_HU
dc.subject.dspaceDEENK Témalista::Irodalomtudomány::Összehasonlító irodalomtudományhu_HU
dc.titleLady Gaga and the Monster Theoryhu_HU
dc.typediplomamunka
Fájlok
Gyűjtemények
Theses (Institute of English and American Studies)