Representations of the New Woman in Ernest Hemingway’s The Sun Also Rises and The Garden of Eden

dc.contributor.advisorRubóczki, Babett
dc.contributor.authorHarangi, Zita
dc.contributor.departmentDE--Bölcsészettudományi Karhu_HU
dc.date.accessioned2017-05-19T07:39:50Z
dc.date.available2017-05-19T07:39:50Z
dc.date.created2017
dc.description.abstractIn my thesis, I examine Ernest Hemingway’s female characters in two of his novels—Lady Brett Ashley from The Sun Also Rises (1926) and Catherine Bourne from The Garden of Eden (1986)—with respect to their literary representation of the New Woman. Although the New Woman was the iconic figure of the liberated woman from the late nineteenth century, I contend that they were not liberated entirely as often times they might have been confused, trying to strive for balance between old and new standards that were set for them and this can be seen in the representations of Brett and Catherine as well.hu_HU
dc.description.correctorBK
dc.description.courseAnglisztikahu_HU
dc.description.degreeBSc/BAhu_HU
dc.format.extent21hu_HU
dc.identifier.urihttp://hdl.handle.net/2437/240587
dc.language.isoen_UShu_HU
dc.subjectNew Womanhu_HU
dc.subjectHemingwayhu_HU
dc.subjectThe Garden of Edenhu_HU
dc.subjectThe Sun Also Riseshu_HU
dc.subject.dspaceDEENK Témalista::Irodalomtudományhu_HU
dc.titleRepresentations of the New Woman in Ernest Hemingway’s The Sun Also Rises and The Garden of Edenhu_HU
dc.typediplomamunka
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