Representation of Death in Contemporary Hungarian Cinema

A tétel rövid nézete
dc.contributor.advisorKalmár, György
dc.contributor.authorMolnár, Gergely
dc.contributor.departmentDE--Bölcsészettudományi Karhu_HU
dc.date.accessioned2018-05-23T13:14:23Z
dc.date.available2018-05-23T13:14:23Z
dc.date.created2018-04-16
dc.description.abstractThis thesis aims to explore the many aspects and concepts of Death and how they are represented in Hungarian Cinema. It provides a brief overview of traditional and modern concepts and definitions of Death, following up by a more philosophical and psychological approach. Hungarian Cinema then approached from a geographical and economical point of view. The paper closely looks at films like Taxidermia (2006), The Investigator (2008) and Strangled (2016) to analyze how the estabilished concepts of Death are represented in terms of character developement as well as how they are visually portrayed.hu_HU
dc.description.correctorBK
dc.description.courseAnglisztika MAhu_HU
dc.description.degreeMSc/MAhu_HU
dc.format.extent34hu_HU
dc.identifier.urihttp://hdl.handle.net/2437/252689
dc.language.isoenhu_HU
dc.subjectDeathhu_HU
dc.subjectHungarian Cinemahu_HU
dc.subjectContemporaryhu_HU
dc.subject.dspaceDEENK Témalista::Kultúratudományhu_HU
dc.titleRepresentation of Death in Contemporary Hungarian Cinemahu_HU
dc.typediplomamunka
Fájlok
Gyűjtemények
Theses (Institute of English and American Studies)