Painting in Woolf

A tétel rövid nézete
dc.contributor.advisorMoise, Gabriella
dc.contributor.authorKovács, Eszter
dc.contributor.departmentDE--TEK--Bölcsészettudományi Karhu_HU
dc.date.accessioned2013-06-14T11:38:12Z
dc.date.available2013-06-14T11:38:12Z
dc.date.created2009-12-14
dc.date.issued2013-06-14T11:38:12Z
dc.description.abstractThe turn of the twentieth century and the early 1900s brought radical changes to the world in various areas and, as it usually occurs, art was no exception. The whirling period of revolutionary ideas brought new perspective into Modernist arts. Artists wanted to see the world and communicate it in another manner so they felt the need for different expressive modes. Their new means of expression, their new “language” to that became to be that of visuality and the mixing of arts. In my thesis I attempt to analyse this new “language” in Virginia Woolf’s two novels To the Lighthouse and The Waves, the two novels where the interrelationship and interdependence between literature and painting is represented.hu_HU
dc.description.courseangol nyelv és irodalomhu_HU
dc.description.degreeegyetemihu_HU
dc.format.extent46hu_HU
dc.identifier.urihttp://hdl.handle.net/2437/170914
dc.language.isoenhu_HU
dc.rights.accessiphu_HU
dc.subjectpaintinghu_HU
dc.subjectcolourhu_HU
dc.subjectCézannehu_HU
dc.subject.dspaceDEENK Témalista::Irodalomtudomány::Összehasonlító irodalomtudományhu_HU
dc.titlePainting in Woolfhu_HU
dc.title.subtitleCharacteristics of Impressionism and Post Impressionism in Virginia Woolf's To the Lighthouse and The Waveshu_HU
dc.typediplomamunka
Fájlok
Gyűjtemények
Theses (Institute of English and American Studies)