The Feminine Mystique: The Representation of White Middle-Class American Women of the 1950s in Movies

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dc.contributor.advisorMathey, Éva
dc.contributor.authorLovas, Emese
dc.contributor.departmentDE--Bölcsészettudományi Kar
dc.date.accessioned2024-06-26T11:58:16Z
dc.date.available2024-06-26T11:58:16Z
dc.date.created2024-04-16
dc.description.abstractAfter the Second World War, the United States adopted a strong domestic ideology that forced women to find perfect fulfillment in the role of wife and mother. In my thesis, I explored the effects of this ideology on white middle-class women’s lives in the 1950s by analyzing three movies. Based on the first movie I presented the social expectations women had to face, by analyzing the conformity that characterized the decade. By analyzing the second movie, I presented the suburban life of the 1950s and the condition many women experienced at that time, the so-called ’housewife syndrome.’ Finally, the third movie deals with women’s education in the mid-twentieth century.
dc.description.courseTeacher Training - English and French
dc.description.degreeegységes, osztatlan
dc.format.extent38
dc.identifier.urihttps://hdl.handle.net/2437/374961
dc.language.isoen
dc.rights.accessHozzáférhető a 2022 decemberi felsőoktatási törvénymódosítás értelmében.
dc.subjectUSA
dc.subjectWomen
dc.subjectthe 1950s
dc.subject.dspaceSocial Sciences
dc.subject.dspaceHistory
dc.subject.dspaceCulture Sciences
dc.titleThe Feminine Mystique: The Representation of White Middle-Class American Women of the 1950s in Movies
dc.typediplomamunka
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