Cooper's Good, Bad and White Indians in Three Cinematic Adaptations of The Last of the Mohicans

dc.contributor.advisorTóth, Ágnes
dc.contributor.authorPuskás, Adrienn
dc.contributor.departmentDE--TEK--Bölcsészettudományi Karhu_HU
dc.date.accessioned2013-10-22T08:51:51Z
dc.date.available2013-10-22T08:51:51Z
dc.date.created2007-04-25
dc.date.issued2013-10-22T08:51:51Z
dc.description.abstractIn my essay I will compare Native American stereotypes in three filmed adaptations of The Last of the Mohicans (1826) by James Fenimore Cooper with a short overview of the status of Native Americans in American society and their representation in films based on Jacquelyn Kilpatrick’s book entitled Celluloid Indians. I will also touch upon stereotyping as a phenomenon, and the theory of filmed adaptations of novels through Brian McFarlane’s book entitled Novel to Film. An Introduction to the Theory of Adaptation.hu_HU
dc.description.courseangol nyelv és irodalomhu_HU
dc.description.degreeegyetemihu_HU
dc.format.extent58hu_HU
dc.identifier.urihttp://hdl.handle.net/2437/174238
dc.language.isoenhu_HU
dc.subjectstereotypeshu_HU
dc.subjectNative Americanshu_HU
dc.subject.dspaceDEENK Témalista::Irodalomtudomány::Összehasonlító irodalomtudományhu_HU
dc.titleCooper's Good, Bad and White Indians in Three Cinematic Adaptations of The Last of the Mohicanshu_HU
dc.typediplomamunka
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