The Country House: The Space of Nostalgic Memory and Homosexuality in Brideshead Revisited and The Stranger's Child

A tétel rövid nézete
dc.contributor.advisorUreczky, Eszter
dc.contributor.authorDoroghy, Evelyn
dc.contributor.departmentDE--Bölcsészettudományi Karhu_HU
dc.date.accessioned2015-04-14T09:22:16Z
dc.date.available2015-04-14T09:22:16Z
dc.date.created2015-04-14
dc.description.abstractHollinghurst’s novel in many ways can be seen as the reconstruction of the past from a literary point of view, which is also true when one talks about Waugh’s novel Brideshead Revisited. Both Hollinghurst’s and Waugh’s novels reconstruct the past in order to make sense of the present, reinforcing the nostalgic attitude of the 1930. In both novels the country house is the space where nostalgic memory, religion – in Waugh’s case – and most importantly, homosexuality is present.hu_HU
dc.description.correctorBK
dc.description.courseAnglisztikahu_HU
dc.description.degreeMSc/MAhu_HU
dc.format.extent42hu_HU
dc.identifier.urihttp://hdl.handle.net/2437/209219
dc.language.isoenhu_HU
dc.subjectcountry househu_HU
dc.subjectspace
dc.subjecthomosexuality
dc.subjectWaugh
dc.subjectHollinghurst
dc.subjectnostalgia
dc.subjectmemory
dc.subject1930s
dc.subject.dspaceDEENK Témalista::Irodalomtudományhu_HU
dc.titleThe Country House: The Space of Nostalgic Memory and Homosexuality in Brideshead Revisited and The Stranger's Childhu_HU
dc.typediplomamunka
Fájlok
Gyűjtemények
Theses (Institute of English and American Studies)