Expression, Reduction and the Question of Balance in the Context

A tétel rövid nézete
dc.contributor.advisorCsató, Péter
dc.contributor.authorUntener, János
dc.contributor.departmentDE--TEK--Bölcsészettudományi Karhu_HU
dc.date.accessioned2013-06-14T11:30:04Z
dc.date.available2013-06-14T11:30:04Z
dc.date.created2009-12-15
dc.date.issued2013-06-14T11:30:04Z
dc.description.abstractThe title of the thesis suggests a duality which—according to the interpretations we are going to mention—is a main organizing principle of The Crying of Lot 49 (1966) by Thomas Pynchon. I am going to approach the subject and the interpretation of it from that point of view, based on primarily two critical essays.hu_HU
dc.description.courseangol nyelv és irodalomhu_HU
dc.description.degreeegyetemihu_HU
dc.format.extent42hu_HU
dc.identifier.urihttp://hdl.handle.net/2437/170903
dc.language.isoenhu_HU
dc.rights.accessiphu_HU
dc.subjectmetaphorhu_HU
dc.subjectentropyhu_HU
dc.subjectexpansionhu_HU
dc.subject.dspaceDEENK Témalista::Irodalomtudomány::Összehasonlító irodalomtudományhu_HU
dc.titleExpression, Reduction and the Question of Balance in the Contexthu_HU
dc.title.subtitleAn Analysis of Two Critical Interpretations of Thomas Pynchon's The Crying of Lot 49hu_HU
dc.typediplomamunka
Fájlok
Gyűjtemények
Theses (Institute of English and American Studies)