Separation and Integration in Lorraine Hansberry's A Raisin in the Sun and Maria Irene Fornes's The Conduct of Life

dc.contributor.advisorNémeth, Lenke
dc.contributor.authorPatkós, Ágnes
dc.contributor.departmentDE--TEK--Bölcsészettudományi Karhu_HU
dc.date.accessioned2013-07-03T14:33:26Z
dc.date.available2013-07-03T14:33:26Z
dc.date.created2008-04-14
dc.date.issued2013-07-03T14:33:26Z
dc.description.abstractThe present thesis aims to study two outstanding plays of postwar American drama: Lorraine Hansberry’s A Raisin in the Sun (1959) and Maria Irene Fornes’s The Conduct of Life (1985). The thesis will seek to identify and explore common themes addressed in both plays. I will argue that despite the different socio-cultural background of the two dramatists and the dissimilar dramatic methods employed by them, the issues of integration and separation from the white male-dominated American post-war society lie at the core of their plays. Both works deal with oppressed people’s marginalization, subordination, and their consequences in the bicultural context of American society. As I will point out the dramatists’ personal ethnic background—Hansberry is Afro-American (1930-1965), while Fornes is of Cuban origin (1930-)—may have influenced their thematic focus in their drama. In addition to Fornes’ bicultural background, she is also a lesbian playwright that influences her choice and treatment of themes in her plays.hu_HU
dc.description.courseangol nyelv és irodalomhu_HU
dc.description.degreeegyetemihu_HU
dc.format.extent54hu_HU
dc.identifier.urihttp://hdl.handle.net/2437/171808
dc.language.isoenhu_HU
dc.rights.accessiphu_HU
dc.subjectAmerican dramahu_HU
dc.subjectfeminismhu_HU
dc.subject.dspaceDEENK Témalista::Művészetek::Színházművészethu_HU
dc.titleSeparation and Integration in Lorraine Hansberry's A Raisin in the Sun and Maria Irene Fornes's The Conduct of Lifehu_HU
dc.typediplomamunka
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