Collingwood – Re-enactment

dc.contributor.authorGyáni, Gábor
dc.date.accessioned2024-07-22T20:58:11Z
dc.date.available2024-07-22T20:58:11Z
dc.date.issued2024-06-27
dc.description.abstractRobin G. Collingwood, a British archeologist and philosopher, elaborated on the so-called notion of re-enactment. In his main theoretical work, the Idea of History, published posthumously, the editor placed an argument in the “Epilogue” in which Collingwood detailed this concept. `The truly historicist epistemological idea of re-enactment was closely connected to another one of his arguments concerning the epistemological importance of the question and answer. According to the latter, when a historian tries to find out the precise meaning of a textual testimony coming from the past, he/she must also know the question to which the historical actor addressed his/her response, and what it meant, as they are correlative. Collingwood’s historical epistemology, an extreme version of historicism, generated contrasting reactions: several theoreticians (e.g. W. H. Dray) and historians (e.g. Q. Skinner) adopt it unreservedly; there are, however, thinkers, like H. G. Gadamer in particular, who in the name of philosophical hermeneutics, reject it altogether.en
dc.description.abstractRobin G. Collingwood, a British archeologist and philosopher, elaborated on the so-called notion of re-enactment. In his main theoretical work, the Idea of History, published posthumously, the editor placed an argument in the “Epilogue” in which Collingwood detailed this concept. `The truly historicist epistemological idea of re-enactment was closely connected to another one of his arguments concerning the epistemological importance of the question and answer. According to the latter, when a historian tries to find out the precise meaning of a textual testimony coming from the past, he/she must also know the question to which the historical actor addressed his/her response, and what it meant, as they are correlative. Collingwood’s historical epistemology, an extreme version of historicism, generated contrasting reactions: several theoreticians (e.g. W. H. Dray) and historians (e.g. Q. Skinner) adopt it unreservedly; there are, however, thinkers, like H. G. Gadamer in particular, who in the name of philosophical hermeneutics, reject it altogether.hu
dc.formatapplication/pdf
dc.identifier.citationStudia Litteraria, Évf. 63 szám 3–4 (2024): Újrajátszások: Emlékezés, megidézés, átértelmezés a művészetekben , 8–15.
dc.identifier.doihttps://doi.org/10.37415/studia/2024/63/14545
dc.identifier.eissn2063-1049
dc.identifier.issn0562-2867
dc.identifier.issue3–4
dc.identifier.jatitleStud.litt.
dc.identifier.jtitleStudia Litteraria
dc.identifier.urihttps://hdl.handle.net/2437/376576
dc.identifier.volume63
dc.languagehu
dc.relationhttps://ojs.lib.unideb.hu/studia/article/view/14545
dc.rights.accessOpen Access
dc.titleCollingwood – Re-enactmenthu
dc.typefolyóiratcikkhu
dc.typearticleen
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