Warrior Culture in Jim Jarmusch's Ghost Dog: The Way of the Samurai

A tétel rövid nézete
dc.contributor.advisorCsató, Péter
dc.contributor.authorNagy, Gergely Máté
dc.contributor.departmentDE--Bölcsészettudományi Karhu_HU
dc.date.accessioned2017-05-29T09:43:51Z
dc.date.available2017-05-29T09:43:51Z
dc.date.created2017-04-13
dc.description.abstractThe thesis contains a comparison between the two conflicting sides of ethics in Jim Jarmusch's film: Ghost Dog: The Way of the Samurai (1999). These two sides are represented in the film by the hitman Ghost Dog and a mafia family. It also contains some biographical information regarding the director and some information on intertextual references about other movies and works of art that appear in the film as well.hu_HU
dc.description.correctorBK
dc.description.courseAnglisztikahu_HU
dc.description.degreeBSc/BAhu_HU
dc.format.extent20hu_HU
dc.identifier.urihttp://hdl.handle.net/2437/241062
dc.language.isoen_UShu_HU
dc.subjectJim Jarmuschhu_HU
dc.subjectGhost Dog
dc.subjectEthics
dc.subject.dspaceDEENK Témalista::Filozófiahu_HU
dc.titleWarrior Culture in Jim Jarmusch's Ghost Dog: The Way of the Samuraihu_HU
dc.typediplomamunka
Fájlok
Gyűjtemények
Theses (Institute of English and American Studies)