The Use of Propaganda in American War Movies in the 20th Century: Wake Island and Saving Private Ryan

A tétel rövid nézete
dc.contributor.advisorGlant, Tibor
dc.contributor.authorLányi, Boldizsár András
dc.contributor.departmentDE--Bölcsészettudományi Karhu_HU
dc.date.accessioned2021-05-25T09:10:22Z
dc.date.available2021-05-25T09:10:22Z
dc.date.created2021-05-01
dc.description.abstractIn what follows I point out that wartime propaganda – resulting from the cooperation of the state and Hollywood – had such a distorting effect on the representation of war that wartime film, (Wake Island 1942 directed by John Farrow) based on real events provides a more fictional and highly glorifying image of war than a truly fictional representation (Saving Private Ryan directed by Stephen Spielberg) which has a temporal and moral distance from the second world war and therefore is able to aim a more realistic and naturalistic representational strategy.hu_HU
dc.description.courseAnglisztika / Amerikanisztika szakirányhu_HU
dc.description.degreeBSc/BAhu_HU
dc.format.extent27hu_HU
dc.identifier.urihttp://hdl.handle.net/2437/310221
dc.language.isoen_UShu_HU
dc.language.isoenhu_HU
dc.subjectWar Moviehu_HU
dc.subjectPropaganda Moviehu_HU
dc.subjectMovie Analysishu_HU
dc.subject.dspaceDEENK Témalista::Kultúratudományhu_HU
dc.titleThe Use of Propaganda in American War Movies in the 20th Century: Wake Island and Saving Private Ryanhu_HU
dc.typediplomamunka
Fájlok
Gyűjtemények
Theses (Institute of English and American Studies)