A Rákóczi-szabadságharc emlékezete Jókai Mór műveiben
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Debreceni Egyetemi Kiadó
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One of the most interesting times of the memory of Rákóczi’s War of Independence was the second half of the 19th century. The period studied begins in 1848, when the close connections between the two War of Independences (Rákóczi’s and ’48/49) determines the way of recalls and as ’48/49 itself became the part of the cultural memory, the memory of the Rákóczi Era changed as well. The paper intends to explore some of the main features of this memories through the study of works and associated organs by Mór Jókai. The paper first examines the Rákóczi related poems from the organ called Életképek, published in 1848 by Sándor Petőfi, János Arany and Kálmán Lisznyai, then one of Jókai’s poem, published in 1883. Two of Jókai’s novels, the A lőcsei fehér asszony and the Szeretve mind a vérpadig also compared by their memory operations of the poems before.
One of the most interesting times of the memory of Rákóczi’s War of Independence was the second half of the 19th century. The period studied begins in 1848, when the close connections between the two War of Independences (Rákóczi’s and ’48/49) determines the way of recalls and as ’48/49 itself became the part of the cultural memory, the memory of the Rákóczi Era changed as well. The paper intends to explore some of the main features of this memories through the study of works and associated organs by Mór Jókai. The paper first examines the Rákóczi related poems from the organ called Életképek, published in 1848 by Sándor Petőfi, János Arany and Kálmán Lisznyai, then one of Jókai’s poem, published in 1883. Two of Jókai’s novels, the A lőcsei fehér asszony and the Szeretve mind a vérpadig also compared by their memory operations of the poems before.
One of the most interesting times of the memory of Rákóczi’s War of Independence was the second half of the 19th century. The period studied begins in 1848, when the close connections between the two War of Independences (Rákóczi’s and ’48/49) determines the way of recalls and as ’48/49 itself became the part of the cultural memory, the memory of the Rákóczi Era changed as well. The paper intends to explore some of the main features of this memories through the study of works and associated organs by Mór Jókai. The paper first examines the Rákóczi related poems from the organ called Életképek, published in 1848 by Sándor Petőfi, János Arany and Kálmán Lisznyai, then one of Jókai’s poem, published in 1883. Two of Jókai’s novels, the A lőcsei fehér asszony and the Szeretve mind a vérpadig also compared by their memory operations of the poems before.