Mean Streets on the Silver Screen

dc.contributor.advisorGlant, Tibor
dc.contributor.authorSárközi, Gergely
dc.contributor.departmentDE--TEK--Bölcsészettudományi Karhu_HU
dc.date.accessioned2013-01-29T14:27:29Z
dc.date.available2013-01-29T14:27:29Z
dc.date.created2011-04-13
dc.date.issued2013-01-29T14:27:29Z
dc.description.abstractThe Marlowe movies overarch several decades; the first of note being The Falcon Takes Over of 1942, and the latest Poodle Springs of 1998 with the ageing James Caan (Sonny Corleone of The Godfather). These movies are not just artistic creations; they also serve as case studies of the era they were made in. From the long list of Marlowe movies, I have chosen three, Marlowe (1969), The Long Goodbye (1973) and Poodle Springs (1998), to analyze and serve as the core of my thesis. The reason behind my choice was, first and foremost, that from this pool of films, these are my favorite ones, and, in my opinion, they bear the most artistic value. Secondly, the scope of a BA thesis does not allow me to compare and contrast all movies in one paper.hu_HU
dc.description.courseanglisztikahu_HU
dc.description.degreeBschu_HU
dc.format.extent26hu_HU
dc.identifier.urihttp://hdl.handle.net/2437/157434
dc.language.isoenhu_HU
dc.rights.accessiphu_HU
dc.subjectamerikai filmhu_HU
dc.subjectbűnügyi irodalomhu_HU
dc.subject.dspaceDEENK Témalista::Irodalomtudományhu_HU
dc.titleMean Streets on the Silver Screenhu_HU
dc.title.subtitleThe Analysis of the Film Adaptations of Raymond Chandler's Philip Marlowehu_HU
dc.typediplomamunka
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