Decay of the Public and the Private in Tennessee Williams' 'The Glass Menagerie' and 'A Streetcar Named Desire'

A tétel rövid nézete
dc.contributor.advisorVarró, Gabriella
dc.contributor.authorAbdel-Salam, Nóra
dc.contributor.departmentDE--TEK--Bölcsészettudományi Karhu_HU
dc.date.accessioned2013-01-15T13:17:45Z
dc.date.available2013-01-15T13:17:45Z
dc.date.created2012-03-30
dc.date.issued2013-01-15T13:17:45Z
dc.description.abstractBy sentencing his female characters to death, Williams shows that the distinguished values of the Old South are not properly adaptable into the futile life of modern man. Despite losing the battle against the representatives of the New South, the dignity and highness of Williams’ Southern Belles is restored in both of his plays. He articulates his admiration for the respectable history and the dignified traditions of the Old South and commemorates the grandeur and glory of his homeland in The Glass Menagerie and A Streetcar Named Desire.hu_HU
dc.description.courseanglisztikahu_HU
dc.description.degreeBschu_HU
dc.format.extent32hu_HU
dc.identifier.urihttp://hdl.handle.net/2437/156124
dc.language.isoenhu_HU
dc.rights.accessiphu_HU
dc.subject20. századi amerikai drámahu_HU
dc.subjecta Dél átalakulásahu_HU
dc.subject.dspaceDEENK Témalista::Irodalomtudomány::Összehasonlító irodalomtudományhu_HU
dc.titleDecay of the Public and the Private in Tennessee Williams' 'The Glass Menagerie' and 'A Streetcar Named Desire'hu_HU
dc.typediplomamunka
Fájlok
Gyűjtemények
Theses (Institute of English and American Studies)