„Megsebesül, elesik. Hát aztán?”: Irónia és a maszkulinitás változó ábrázolásai az első világháború angol és magyar irodalmában

A tétel rövid nézete
dc.creatorBalogh, Eszter Edit
dc.date2015-07-01
dc.date.accessioned2020-09-11T08:39:04Z
dc.date.available2020-09-11T08:39:04Z
dc.descriptionWhen the First World War broke out there was general enthusiasm in the participating countries. Numerous artists, both in English and in Hungarian, for example Rupert Brook and John McCrae, Sándor Sajó and István Tömörkény, wrote in a patriotic tone. They were devoted to pro-war sentiments, and applied the rules of the previous ages’ heroic war writing tradition. When the real nature of the war became obvious with the stalemate in the trenches, many artists realized that the previously predominant heroic ideal is anachronistic and unattainable: pro-war sentiments declined. Both English and Hungarian writers, such as Siegfried Sassoon, Wilfred Owen, Gyula Vitéz Somogyváry and Jenő Heltai, tried to find adequate artistic responses to the experience of the war, and although England and Hungary fought on opposing sides and they probably did not know the works of the other nation’s artists, there are striking similarities in the tone of their writing and in their representational strategies.
dc.descriptionWhen the First World War broke out there was general enthusiasm in the participating countries. Numerous artists, both in English and in Hungarian, for example Rupert Brook and John McCrae, Sándor Sajó and István Tömörkény, wrote in a patriotic tone. They were devoted to pro-war sentiments, and applied the rules of the previous ages’ heroic war writing tradition. When the real nature of the war became obvious with the stalemate in the trenches, many artists realized that the previously predominant heroic ideal is anachronistic and unattainable: pro-war sentiments declined. Both English and Hungarian writers, such as Siegfried Sassoon, Wilfred Owen, Gyula Vitéz Somogyváry and Jenő Heltai, tried to find adequate artistic responses to the experience of the war, and although England and Hungary fought on opposing sides and they probably did not know the works of the other nation’s artists, there are striking similarities in the tone of their writing and in their representational strategies.
dc.formatapplication/pdf
dc.identifierhttps://ojs.lib.unideb.hu/studia/article/view/4170
dc.identifier10.37415/studia/2015/3-4/133–141.
dc.identifier.urihttp://hdl.handle.net/2437/295950
dc.languagehun
dc.publisherDebreceni Egyetemi Kiadó
dc.relationhttps://ojs.lib.unideb.hu/studia/article/view/4170/4032
dc.rightsCopyright (c) 2015 Studia Litteraria
dc.sourceStudia Litteraria; Vol. 54 No. 3-4 (2015): Az első világháború emlékezete; 133–141.
dc.sourceStudia Litteraria; Évf. 54 szám 3-4 (2015): Az első világháború emlékezete; 133–141.
dc.source2063-1049
dc.source0562-2867
dc.title„Megsebesül, elesik. Hát aztán?”: Irónia és a maszkulinitás változó ábrázolásai az első világháború angol és magyar irodalmában
dc.title„Megsebesül, elesik. Hát aztán?”: Irónia és a maszkulinitás változó ábrázolásai az első világháború angol és magyar irodalmában
dc.typeinfo:eu-repo/semantics/article
dc.typeinfo:eu-repo/semantics/publishedVersion
Fájlok
Eredeti köteg (ORIGINAL bundle)
Megjelenítve 1 - 1 (Összesen 1)
Nem elérhető
Név:
Studia Litteraria 2015-3-4 Az első világháború emlékezete-136-144.pdf
Méret:
82.93 KB
Formátum:
Adobe Portable Document Format
Letöltés
Gyűjtemények
Studia Litteraria (OJS)