Dancing in the Margins: Contemporary Postcolonial Identity and Intersectionality in Zadie Smith's Swing Time

A tétel rövid nézete
dc.contributor.advisorMoise, Gabriella
dc.contributor.authorKürpick, Malou
dc.contributor.departmentDE--Bölcsészettudományi Karhu_HU
dc.date.accessioned2018-05-23T13:09:59Z
dc.date.available2018-05-23T13:09:59Z
dc.date.created2018-04-13
dc.description.abstractIn order to understand the ways postcolonial cultural identity is formed, it is necessary to consider how race as link to colonial power is interspersed with further socio-economic categories in shaping the agency to create an empowering cultural identity. In line with Stuart Hall, colonialism’s material and cultural effect on the diasporic subject’s agency will therefore be jointly considered, with the material aspects and its further expansion into socio-economic dimensions of identity mainly covered by Kimberlé Crenshaw’s theory of intersectionality. The analysis will show that the narrator in Swing Time and her friend Tracey develop differential agencies in relation to culture as a result of their individually nuanced socio-economic background.hu_HU
dc.description.courseanglisztikahu_HU
dc.description.degreeMSc/MAhu_HU
dc.format.extent45hu_HU
dc.identifier.urihttp://hdl.handle.net/2437/252681
dc.language.isoenhu_HU
dc.subjectZadie Smithhu_HU
dc.subjectIntersectionalityhu_HU
dc.subjectPostcolonial Identityhu_HU
dc.subjectSwing Timehu_HU
dc.subject.dspaceDEENK Témalista::Irodalomtudományhu_HU
dc.titleDancing in the Margins: Contemporary Postcolonial Identity and Intersectionality in Zadie Smith's Swing Timehu_HU
dc.typediplomamunka
Fájlok
Gyűjtemények
Theses (Institute of English and American Studies)