Unbranding the Stanislavski Method

dc.contributor.advisorSzilágyi, Szabolcs
dc.contributor.authorBlanár, László
dc.contributor.departmentDE--TEK--Bölcsészettudományi Karhu_HU
dc.date.accessioned2013-02-18T14:51:36Z
dc.date.available2013-02-18T14:51:36Z
dc.date.created2011-04-15
dc.date.issued2013-02-18T14:51:36Z
dc.description.abstractThere are many books that come to sunlight about the Technique of Acting. As Michael Chekhov said there is no such thing like different acting techniques. No matter whether we talk about naturalist, surrealist, intellectual, or intentional or any kind of styles of acting, there is only one technique of acting (whatever it is) and many interpretations (one for each actor, at least). Maybe these actors are called Konstantin Stanislavski, Lee Strasberg, Michael Chekhov, Augusto Boal, Peter Brook, or I could sparkle with the names till the seventh sunrise. What is common in all of them is that they worth to play around with. If I would be asked whether 36 what makes an actor a good one, my answer would be: everything. To be an actor means to act...even if this acting means just experiencing, or opening our selves, or just existing. As I mentioned above, acting is free and open-source. So, modify the exercises to find the best way for you. No acting without experiencing and vice verse. (Conclusion)hu_HU
dc.description.courseangol nyelv és irodalomhu_HU
dc.description.degreeegyetemihu_HU
dc.format.extent39hu_HU
dc.identifier.urihttp://hdl.handle.net/2437/160052
dc.language.isoenhu_HU
dc.rights.accessiphu_HU
dc.subjectChekhov, Mikhailhu_HU
dc.subjectStanislavski, Constantinhu_HU
dc.subjectimprovisationhu_HU
dc.subjectStrasberg, Leehu_HU
dc.subject.dspaceDEENK Témalista::Művészetek::Színházművészethu_HU
dc.subject.dspaceDEENK Témalista::Irodalomtudomány::Összehasonlító irodalomtudományhu_HU
dc.titleUnbranding the Stanislavski Methodhu_HU
dc.title.translatedMindennapi Sztanyiszlavszkihu_HU
dc.typediplomamunka
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