'Loosing Highway'
| dc.contributor.advisor | Kalmár, György | |
| dc.contributor.author | Kocsány, Ágnes | |
| dc.contributor.department | DE--TEK--Bölcsészettudományi Kar | hu_HU |
| dc.date.accessioned | 2013-03-22T09:13:30Z | |
| dc.date.available | 2013-03-22T09:13:30Z | |
| dc.date.created | 2010-07-15 | |
| dc.date.issued | 2013-03-22T09:13:30Z | |
| dc.description.abstract | In my essay on the richly interpretable film of David Lynch, Lost Highway I intend to make a connecting point of the prior Freudian and Lacanian interpretations and a visual cultural reading of the movie. My main hypothesis is that the film’s world claimed as a possible reveller of the hidden desires or the Lacanian Real can be understood as a proclamation of Vilém Flusser’s concept, the “photographic universe” referring to our world after the cultural turn of the technical mediums. I do not undertake a mission impossible and exclude any of the previous explanations of this film of mystery. I do not even think this is a film that can have one comprehensive interpretation over all attempts of solving it. | hu_HU |
| dc.description.course | angol nyelv és irodalom | hu_HU |
| dc.description.degree | egyetemi | hu_HU |
| dc.format.extent | 28 | hu_HU |
| dc.identifier.uri | http://hdl.handle.net/2437/162360 | |
| dc.language.iso | en | hu_HU |
| dc.rights.access | ip | hu_HU |
| dc.subject | visual culture | hu_HU |
| dc.subject | Lacan | hu_HU |
| dc.subject | psychoanalysis | hu_HU |
| dc.subject | subjectivity | hu_HU |
| dc.subject.dspace | DEENK Témalista::Irodalomtudomány::Összehasonlító irodalomtudomány | hu_HU |
| dc.title | 'Loosing Highway' | hu_HU |
| dc.title.subtitle | The Reconstruction of Subjectivity in the Film of David Lynch | hu_HU |
| dc.type | diplomamunka |