The Pilgrim, the Tourist, and the Mestiza

dc.contributor.advisorNémeth, Lenke
dc.contributor.authorSeprenyi, Viktória
dc.contributor.departmentDE--TEK--Bölcsészettudományi Karhu_HU
dc.date.accessioned2014-03-19T09:26:18Z
dc.date.available2014-03-19T09:26:18Z
dc.date.created2013-04-03
dc.date.issued2014-03-19T09:26:18Z
dc.description.abstractIn her two major autobiographically inspired novels to date, The House on Mango Street (1984) and Caramelo (2002) Cisneros presents first, second, and third generation Chicana and native Mexican women who grow up in a patriarchal Chicano environment influenced by the cultural patterns and value systems of both the Mexican and the American cultures, which she herself experienced during her childhood. My main concern in this essay is to investigate the cross-cultural identity formation of selected women characters and I propose that in shaping their new cultural identity three distinct stages of transitions can be established in their representation. Accordingly, I offer a three-tiered classification of cultural identity types, the pilgrim, the tourist, and the mestiza, which is based on the extent to which the women characters integrate diverse cultural patterns and value systems in shaping their identity. The concepts of the pilgrim and the tourist will be used as introduced by Zygmunt Bauman, whereas for the mestiza identity I will rely on Gloria Anzaldúa’s understanding of cross-cultural identity. Additionally, I will also study in what way a traditional migration experience within the Chicanas/os’ ancient homeland, Aztlán affects the formation of the selected women characters cross-cultural identity.hu_HU
dc.description.courseAnglisztikahu_HU
dc.description.degreeBSc/BAhu_HU
dc.format.extent18hu_HU
dc.identifier.urihttp://hdl.handle.net/2437/181750
dc.language.isoenhu_HU
dc.subjectnői ábrázoláshu_HU
dc.subjectCisneroshu_HU
dc.subject.dspaceDEENK Témalista::Irodalomtudomány::Klasszika-filológiahu_HU
dc.titleThe Pilgrim, the Tourist, and the Mestizahu_HU
dc.title.subtitleTransitions in the Representation of Women in Sandra Cisneros's The House on Mango Street and Caramelohu_HU
dc.typediplomamunka
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